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18 UMMA Objects
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This is an abstract print, vertically oriented, with a multicolored background of yellow, orange, blue, and shades of black and brown. There are three large blue oval shapes towards the center with soft black lines and shapes over the colors.
André Masson (French (culture or style))
Composition
1945 – 1955
Museum Purchase
1957/2.21
This print depicts a solid gold square, the outline of which circumscribes a green circle which in turn circuscribes a white square. The square is slightly offset to the lower left so the bottom left corner is cut off by, and the top right corner does not touch, the circle.
Robert Mangold (American (North American))
Seven Aquatints
1973
Museum purchase made possible by a gift from Helmut Stern
1999/1.104.1
This abstract oil painting has a black background with textured grey and white areas that resemble organic textures such as tree bark, water or bones.  There are subtle touches of pink here and there.
Gerome Kamrowski (American (North American))
Puerto de Torilli
1957
Gift of the Honorable Jack Faxon
1984/1.254
This print is an abstract composition in black, white and lavender. In the upper right, there is a black circle on a white background shape. The left and lower portions are made up of black shapes. At the lower center, a lavendar rectangular form is also included, overlapped by a black shape that is slightly broken up by thin white lines. The print is numbered (l.l.) "275/300" and signed (l.r.) "Louise Nevelson" in pencil.
Louise Nevelson (American (North American))
Untitled
1973
Gift of Mr. Robert Rauschenberg
1976/2.120
This black and white abstract print consists of a central form, a black almost square-shape with a wavy top edge and curvy areas within. A curved black line appears in the upper right portion of the work. Random dashes of black appear throughout the background of the print from the carving of the linoleum.
Peter Sager
Northern Island no 4
1935 – 1946
Gift of Jean Paul Slusser
1949/1.131
This print depicts a solid orange square, the outline of which circumscribes a green circle which in turn circuscribes a white square. The square is slightly offset to the left so it's right side corners do not touch the circle. 
Robert Mangold (American (North American))
Seven Aquatints
1973
Museum purchase made possible by a gift from Helmut Stern
1999/1.104.2
A grid of thin black lines intersect the image, slightly off-center. In the background is an all-over, inconsistently-textured black rectangle. Each quadrant has a motif that transects the grid. In the upper right, there is an outline of a circle and a grey square, irregularly created in horizontal marks.  At the top left, there is a quadrilateral that transects the grid. It is colored yellow to the right of the line. In the lower left, there is a sketchy grey rectangle, similar to the one in the top right but created with vertical markings. In the lower right, there is another outline of a quadrilateral. This one also transects the grid and, to the left, is filled in with black.
Dame Barbara Hepworth (British (modern))
Three Forms Assembling
1969
Museum Purchase
1970/2.139

Dame Barbara Hepworth (British (modern))
Three Forms: from the set 'Opposing Forms'
1970
Gift of Dr. and Mrs. Paul M. Vanek
1972/2.379
This print depicts a grey square, the outline of which circumscribes a green circle which in turn circuscribes a white square. The square is slightly offset to the right so the two corners on the right are cut off by the circle.
Robert Mangold (American (North American))
Seven Aquatints
1973
Museum purchase made possible by a gift from Helmut Stern
1999/1.104.5
This print depicts a solid grey-green square, the outline of which circumscribes a green circle which in turn circuscribes a white square. The top of the square is slightly shorter than the bottom and there is a small gap between the left vertical side and the left bottom side.
Robert Mangold (American (North American))
Seven Aquatints
1973
Museum purchase made possible by a gift from Helmut Stern
1999/1.104.6
A photograph of two flowers side-by-side; their swirling forms disappear into the black background.
Imogen Cunningham (American (North American))
Two Callas
1925 – 1929
Museum Purchase
1976/2.10
This painting shows an abstract composition, created with thick, overlapping lines in semi-opague blue paint on paper.
Agnes Barley (American (North American))
Untitled (Monochromes Blue)
1999 – 2009
Gift of Pearson and Robert Macek
2015/2.18
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